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Artists

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Freddy Fabris

America

Freddy Fabris

Richard Strachan

Scotland

Richard Strachan

Beti Bricelj

Slovenia

Beti Bricelj

Lesley Hilling

England

Lesley Hilling

Juliane Hundertmark

Germany

Juliane Hundertmark

Sylvia Tarvet

Scotland

Sylvia Tarvet

Jack Frame

England

Jack Frame

Mati Palmi

Scotland

Mati Palmi

Josemiel Platz

Argentina

Josemiel Platz

Hans K Clausen

Scotland

Hans K Clausen

Rudolf Fankhauser

Switzerland

Rudolf Fankhauser

Niki Hare

England

Niki Hare

Kirsty MacKay

Kirsty MacKay

Natasha Barnes

South Africa

Natasha Barnes

Keymi

France

Keymi

Alex Dunn

Scotland

Untitled

Alex Dunn

Russell Hatton

England

p> His work derives from an intensity of colours exploding onto aluminium surfaces. Within the work a language screams dialogue that expresses the artists' innovative analysis of Contemporary Art. Using state-of-the-art materials including pearlescent, xyrallic and candy paints; the paints are applied using commercial spray guns within a 30ft x 15ft low bake oven and throughout the process the work is lacquered and polished for a sumptuous finish.

Hatton has developed an intricate understanding of the materials he works with; thus realising its creative potential beyond industrial use. His extensive knowledge and skill with high-tech commercial paints allows him to create abstract works with colours and a surface never before seen. Using extreme high pressures to apply the paint onto aluminium surfaces, the results are an attempt to control the chaotic, an alarming analogy of his life. Concluding in a finish so sublime that combined with the sheer scale of the work, it creates an illusion of space beyond the realm of imagination.

Sharing the characteristics of other Op artists, Russell explores the interplay between the two-dimensional surface and the appearance of depth and movement within it. The UV stable lacquer that Russell adds gives the painting durability, providing flexibility for both interior and exterior installation.

The relationship with light plays a significant role; it is almost like looking at several different paintings in one. Thriving on natural light, their reflective surfaces bounce the light against their colouration and the imagery. There is a sense of walking into some of these works; experiencing unexplored territory.

Russell Hatton

Benoit Trimborn

France

Benoit Trimborn